Showing posts with label Taffeta Striped Waistcoat. Show all posts
Showing posts with label Taffeta Striped Waistcoat. Show all posts

Thursday, July 9, 2015

Green Silk Waistcoat - Completed!

This past weekend, I pulled out a UFO and completed it! Kenny's green silk waistcoat (which I had started a year ago and whip-stitched him into for the Louisville Jane Austen Festival) has been waiting for the following elements for completion:
- buttonholes (finished those a couple months ago, in the last post!)
- buttons (covered those some time ago, but had to wait for the buttonholes to apply.)
- back gore (we realized when I stitched this onto him for the festival, that I had left zero wiggle room in the girth.)

Last weekend, I really needed to complete something creative to help myself out of a low patch, and this guy was the handiest (and the easiest/most instantly-gratifying) project at hand.


First, I sliced straight up the back, opening a wedge of space for a skinny gore to be inserted. 


Then, I turned under the edges of the vest back, sandwiched the gore (the hem of which I pre-finished) in-between, and then prickstitched the edges together over the gore. I regretted this stitch method as soon as I started working down the second side of the gore, as it got much harder to see my needle on the right side of the fabric for each tiny stitch. 


The exterior appears to be topstitched, the interior appears to be whip-stitched. Construction stitches; the most mundane but most important stitches on a garment. 


Finally, I stitched on my buttons et voila! This baby is finally complete, and well-fitting. (Someday my hand-stitch tension will be perfect and my costumes will be entirely wrinkle-free. Hopefully.) 

The pattern I used for this was by Kannik's Korner, Men's Waistcoats, c. 1790-1815. The pattern had some great historical documentation, and a lovely vocabulary of stitches (always helpful to one new to historical handsewing.) The only part I was uncertain about was the way the internal front edge interfacing/interlining was supposed to whip onto the body fabric - I don't think I could have achieved that invisibly in this fabric. So does one skip that on thin silk waistcoats? Or does one just really get better at their invisible stitching? 

Glad this is finished! Next to complete: the linen tailcoat. 


Sunday, April 12, 2015

Buttons and Buttonholes

I have FINALLY gotten around to covering some buttons for Kenny's breeches and waistcoat! It's taken me long enough. After stitching a few buttonholes I have concluded that I need a lot more practice on buttonholes. Good thing I have many more to stitch before his outfit is concluded! Hopefully by the time I get to the coat, they'll be... presentable. Perhaps not perfect but hopefully getting there.

These are the items I used:

Listed from left to right:
1. Measuring tape, for measuring out the space between all the buttonholes. I like my handy retractable one from Jo-Ann's.
2. Sharp "betweens" needles! I like this type needles because they are short and therefore easier for making little stitches, quickly. This kind of needle is often used by quilters for that reason. Mine are made by S. Thomson & Sons, size 10 (the smallest, sharpest size), available here.
3. #60 basting thread. I waffled about purchasing this (because can't one just use normal thread to baste, and just stitch lightly?) but I really love it! It seems to be lightly waxed or something, because it is springy and doesn't twist up on itself. It also is fine enough to keep from leaving any marks on my silk taffeta.
4. Hammer, for pounding the buttonhole chisel. Probably could get away with a rubber mallet for this, but I don't have one.
5. Buttonhole cutter and block. Super-sharp, much nicer than scissors for cutting evenly through all layers of fabric.
6. Silk buttonhole twist. I used Superior Thread's #16 buttonhole silk. This is so much nicer than cotton embroidery twist found at hobby stores. It slides through the fabric like butter!
7. Needle-threader (there is no way I can get the buttonhole twist through that tiny, sharp needle's eye without a little help!)
8. Tailor's thimble. I am NOT a thimble-wearing seamstress, which is probably bad, but I determined to try stitching with one for this project. I used an open-ended tailor's thimble (which is held so that you push the needle through with the side of your finger/thimble), and I really liked it. Still feels a little awkward, but I'm getting the hang of it the more I use it. (NOTE: I bought mine from WAWAK, they have a variety here, and I did NOT realize that I would be getting a dozen of them for $2.29! That is what happened to me. Maybe they wear out? Maybe they were mis-packed? Just a head's-up.)
10. Scissors and pliers, for pulling stubborn needles through the fabric and clipping threads.


Stitching the Buttonhole:
I started out by basting (with a ginormous pad-stitch?) around the spaces where the buttonhole would go. The below picture shows that handy-dandy basting thread in action, as well as the tailor's thimble doing what thimbles do.
The index finger starts things off by guiding the needle into the fabric,
and then the middle finger with the thimble comes up behind
and does all the heavy lifting (pushing the needle through).

Next, I punched a slit almost the length of the buttonhole into my fabric. (I broke the little wooden chisel block in the process. Sad. Will use a scrap of 2x4 next time.)

Then I whipped the edges of the new slit with basting thread. Just to keep things tidy and all in place when stitching with the silk twist.

I ran two long stitches (with my buttonhole twist) along each side of the buttonhole. I'll later stitch over these and they will help reinforce the overall buttonhole. Notice that the long stitches extend a little ways past my cut-out. Back in the day (vaguely late 18th century), buttonholes were often decorative, and also often excessively long. Even when a buttonhole was functional, the stitching would often extend way past the actual slit in the fabric, to create the visual impression of a long buttonhole even if the actual hole was pretty small. I am not quite sure when this practice stopped - I think that by the turn of the century, buttonholes were shrinking back to a respectably practical size, but I don't have a lot of research to prove when that happened. (Also note, I just used my silk twist for these base stitches. Probably I should have used something weightier, like buttonhole gimp, but I guess I'll try that next time!)

Starting where I want the non-functional end of my buttonhole to be, I started stitching along one side of my buttonhole, wrapping the thread around my needle for each stitch (as per this Burnley & Trowbridge tutorial on 18th century buttonholes).

Once my stitches reached the slit in the fabric, I started going straight through the slit and coming up on the outside edge of the buttonhole, still wrapping the thread around the needle. My fabric has narrow, buttonhole-width stripes, which made it a perfect guide!

At the end of the buttonhole, I made two long stitches across the width of the buttonhole. These are to support my bar tack. The bar tack is stitched just like the first end of the buttonhole was - little stitches in and out of the fabric, wrapping the thread around the needle as I go.

Aaand, back we go. All the way to the end where I started.

One more bar tack... (I am miserable at bar tacks. Need a lot of practice!)

And the buttonhole is finished!


I clearly need to work on my tension - silk taffeta is not super forgiving when it comes to poor tension/fabric slippage. But, glad to be almost done with this piece. Just have to add the covered buttons and slip an extra wedge of fabric in the back (it is a bit snug around the waist), and it will be complete!



Useful resources:
- Burnley & Trowbridge tutorial (on facebook)
- YouTube video of Mr. Stuart Lille of Ft. Ticonderoga stitching 18th century buttonholes (updated here)
- Overview of 18th century buttonhole-making, by Mara Riley (somehow, my buttonholes look nothing like hers. Hmm.)

And a couple of fun links about thimbles and their uses:
- The Purl Bee looks at lots of different kinds of thimbles
- The English Cut - Savile Row blog offers a couple tips on how to use a tailor's thimble

Wednesday, July 24, 2013

Back-blogging - Waistcoat in Progress

So... I got so caught up in the mad sewing that had to be done in order to finish for the Jane Austen Festival, that I totally skipped blogging. It had to be one or the other, sewing or blogging, and sewing won out.

However, I tried to take lots of in-progress pictures, so here they are!

The pattern I used was Kannik's Korner's "Man’s Waistcoats, Single-Breasted, Worn by Both Common Working Men and Fashionable Men c. 1790-1815". I really liked this pattern - there was a good bit of documentation, a great little library of stitches, and I personally enjoyed the hand-sewing instructions (although they would take some translation if one wanted to machine-sew the waistcoat).

I made up a mock-up of the smallest size waistcoat, but still had to alter it a bit to fit Kenny. However, I just made all the pieces correspond and didn't run into any other trouble.

I cut three layers to the waistcoat fronts: fabric (silk), interlining(muslin), and lining(muslin). And for the front edge interfacing, I used silk organza.

I cut out all the layers of fabric, and started by turning under the edges of the pocket welt.

I stitched the welt on as instructed, sans lining...

... and then I cut the slit for the welt. 

I forgot to take a photo of the muslin pocket lining in-progress, but I folded all edges and prick-stitched it to the folded edges of the silk pocket welt...

... and then folded up and stitched the pocket into the welt slit. 

Finally, I stitched up the sides of the welt. I stitched-in-the-ditch for good measure, to pin the pocket lining to the body of the waistcoat (it was hanging free and I was afraid the tension of something in the pocket would pull the top edge too much). 

The front edge interfacing. The pattern calls for the interfacing to be stitched directly to the outer fabric, but I had a really hard time finding evidence of that in any extant waistcoats. I'm sure it could be fairly invisible in wool, but silk or cotton? Please let me know if you know of any examples with visible stitching. So, instead, I stitched the interfacing to the interlining only! 

Interfacing stitched in, I moved to the next step. I marked and clipped where the collar ends, and then folded down the front and lower edges on the lining and fabric/interlining. 

Then... I prickstitched. AAAALLL the way around the front and lower edges. I attached the back and shoulders, kept prickstitching until everything was cleanly finished but the collar. Then I popped on the collar, turned under the lining, and whipped it up. Unfortunately, I don't have any photos of that! I just stitched a little at a time when I got home from work every evening. 

Those are all the photos I have for now, but I'll take pictures of the waistcoat on Kenny as soon as I have the buttonholes in! In the mad frenzy to finish all pieces of Kenny's coat, I didn't get ANY buttonholes in! Poor feller was stitched into his entire costume. But he was lovely. 

Photo taken in front of the mantelpiece of the Aleksander House Bed & Breakfast in Louisville, KY