Showing posts with label Regency shirt. Show all posts
Showing posts with label Regency shirt. Show all posts
Monday, April 29, 2013
Dorset Buttons
I have finally finished the buttons for Kenny's shirt - now I just have to sew them on and whip up some buttonholes and this price will be pretty much finished. I'm a terrible procrastinator, so even though this project is taking a long time, I feel such triumph every time I can accomplish even a little bit!
Sunday, March 24, 2013
Still working on Kenny's shirt...
I have been hand sewing Kenny's shirt, so it has taken me a while. But I have been working on it!
Friday, December 10, 2010
Tea-dyed Fabric Swatches
Note: Black chai tea gives off a lot of colour. I ended up diluting my original dye bath, which was a 1/1 ration of tea bags to cups of water, to 1/2.3ish. I only left my final fabric in the tea for 10 minutes, and then I tossed it in the washer with a little detergent. I'm quite happy with the resulting creamy colour.
Wednesday, December 8, 2010
From the inside out: Shirt
Ok, I am really uncertain about how books should be cited on a blog, so I will cite the scans from my books the way I would in a paper. However, if you feel that I'm doing something incorrectly, please let me know!
First, an example of a shirt from the V&A. It is linen, hand-sewn with linen thread, constructed somewhere between the years 1750 and 1800.
The Regency Reproductions website provides a nice summary of Regency styles, including the details of shirt collars below.
I have a couple of patterns from books that I have been examining also, one from Costume Close-Up, by Linda Baumgarten, and another from The Cut of Men's Clothes:1600-1900, by Norah Waugh.
Waugh, Norah. The Cut of Men's Clothes, 1600-1900. New York : Theatre Arts Books, 1964.
Baumgarten, Linda. Costume Close-up: Clothing Construction and Pattern, 1750-1790. Williamsburg, Va. : Colonial Williamsburg Foundation, in association with Quite Specific Media Group, New York, 1999.
According to Linda Baumgarten, the shirt in her book was altered at a later date. She mentions that this is evident in part due to the length of the cuffs, so I think I will go with the narrow cuffs in Norah Waugh's pattern (minus the frills, which probably would have been detachable anyway). I haven't decided yet which pattern shapes to go with (shoulder seams or no?). I am really interested in the reenforcement at the shoulders of the Baumgarten pattern, which I could probably put in even if there is a shoulder seam. I am a little disinclined to put in that little triangular gusset at the neck without a shoulder seam...
The fabric we are using for this shirt is not perfectly authentic, it is a lightweight linen/cotton blend from Jo-Ann's, but it should do just fine. Back at the turn of the century, 100% linen would be used, but it would also have been a relatively lightweight linen, and that was just not to be found at Jo-Ann's. If I were going for complete authenticity, I would have ordered from Fabric-Store.com. They have a wide variety of linens, and specialize in fabrics for reproductions and reenactment.
I have a little bit of a dilemma to sort out before I cut into the fabric for this shirt. I want to tea-dye it (it is currently a really bright white) and I would normally just get that over with before even cutting anything, but I'm wondering if I should try dyeing it AFTER I make it up, to get a slightly aged and mottled effect... Or it could just turn out weird. Hmm.
First, an example of a shirt from the V&A. It is linen, hand-sewn with linen thread, constructed somewhere between the years 1750 and 1800.
The Regency Reproductions website provides a nice summary of Regency styles, including the details of shirt collars below.
I have a couple of patterns from books that I have been examining also, one from Costume Close-Up, by Linda Baumgarten, and another from The Cut of Men's Clothes:1600-1900, by Norah Waugh.
According to Linda Baumgarten, the shirt in her book was altered at a later date. She mentions that this is evident in part due to the length of the cuffs, so I think I will go with the narrow cuffs in Norah Waugh's pattern (minus the frills, which probably would have been detachable anyway). I haven't decided yet which pattern shapes to go with (shoulder seams or no?). I am really interested in the reenforcement at the shoulders of the Baumgarten pattern, which I could probably put in even if there is a shoulder seam. I am a little disinclined to put in that little triangular gusset at the neck without a shoulder seam...
The fabric we are using for this shirt is not perfectly authentic, it is a lightweight linen/cotton blend from Jo-Ann's, but it should do just fine. Back at the turn of the century, 100% linen would be used, but it would also have been a relatively lightweight linen, and that was just not to be found at Jo-Ann's. If I were going for complete authenticity, I would have ordered from Fabric-Store.com. They have a wide variety of linens, and specialize in fabrics for reproductions and reenactment.
I have a little bit of a dilemma to sort out before I cut into the fabric for this shirt. I want to tea-dye it (it is currently a really bright white) and I would normally just get that over with before even cutting anything, but I'm wondering if I should try dyeing it AFTER I make it up, to get a slightly aged and mottled effect... Or it could just turn out weird. Hmm.
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